Tag: techno (Page 2 of 2)

Competition: CLR at ADE, 19/10/2012, Undercurrent Amsterdam (NL)

Friends, let’s talk technooow again, because at the end of this week, from October 18th until October 21st, the city of Amsterdam (NL) will host ADE again. Yes, the Amsterdam Dance Event: a redundancy of, uhm well, dance related events in Amsterdam. Seriously, it’ll be massive, with elaborated talks about the future state of music technology, impressive showcases of the most up-to-date labels and parties with a line-up that’ll make you want to cry because no matter what hipster location with fabulous music you will be in, you’ll surely miss out on some other cool gathering. But my mind has already been set on one opportunity: the CLR party on Friday, October 19th at Undercurrent.

Since 1999, Chris Liebing has been passionately developing CLR into a top-quality techno label because, really, he cares for techno. Having gained a sort of top status himself, he is at this point able to work with the biggest names in the scene. Nevertheless he also has a keen ear for new talent and promotes those who he believes in ardently. And this ideology is reflected nicely in the line-up of this affair, which features Liebing himself, Terence Fixmer, Monoloc, Drumcell, Tommy Four Seven, Brian Sanhaji and Dj Emerson.

In his hometown Frankfurt-am-Main, which is primarily known for its high-finance environment, Liebing has set up his own Bank of Frankfurter Techno Talents (BFTT) which also includes Brian Sanhaji, a young, slick button-loving German who knows exactly in what settings the genre of techno will bounce best. Give Sanhaji the most awful track in whoomp whoomp music’s history and he’ll nevertheless master it so that it will be a dance floor bomb. His own productions are as tight as a Frankfurter banker’s ass so I can’t wait to check out his live set.

Monoloc is another Frankfurter whose career has been launched by Liebing. The latter gave this incredibly skilful dj a chance on CLR and I was amazed by all of releases from the start. CLR will release his debut album soon and I must say it’ll be one of my top ten musical outings of 2012. ‘Drift’, as the record is called, is a meandering journey into a forlorn but beautiful landscape scattered with remnants of the n-th industrial revolution. I guess he’ll unfold similar ideas about environmental planning for Amsterdam that night.

Then there’s Dj Emerson, who I witnessed wrecking Berlin party crowds several times. Originally from southern Germany, he now resides in the capital and remains a solid choice for promoters. One can always rely on his experience, his steady groove and overall funkiness.

Tommy Four Seven is British, but now lives in Berlin as well and his type of techno concurs finely with the city’s nightlife. Chris Liebing also soon recognised his abilities and brought out a few of his tracks and remixes. But personally I got hooked on his music thanks to his ‘Deer Code’ ep on Darko Esser’s Wolfskuil label and later, his incredible ‘Surma’ ep on Electric Deluxe. Indeed, those are two Dutch labels so I reckon he’ll know how to rock Amsterdam (can one actually techno Amsterdam? Well Tommy most definitely will!).

Furthermore there’ll be Terence Fixmer playing. Yes, it’s that French muscle music man! Do I really need to introduce him to you? Well, he’ll certainly make you sweat like a work-out you’ve never experienced before. And he’ll do it by means of a live set this time. You better rehearse while playing his ‘Comedy Of Menace’ album out loud. Plus, you’ll lose a few pounds, I promise!

Another headliner is Drumcell, leader of one of my favourite labels of the last few years, namely Droid Recordings. I must admit, when I thought of California ten years ago, I imaged blue, cloudless skies, a vivid sun, white beaches and roller-skating girls but Drumcell, who hails from that region, changed that preconceived opinion drastically. For he delivers this dark, uncompromised, pounding kind of techno that you associate mostly with industrial European cities with a cold climate. He hasn’t played at the Old Continent too often so I’ve got high expectations to hear him play!

Lastly, Chris Liebing will play. He’s the founder of CLR and lives in Frankfurt. He produced albums and tracks that shaped the genre. He does this great podcast which we all love so much. He never compromised. He’s passionate. He’ll burn Undercurrent to the ground, although the place is close to water.

If you’d like to warm-up already or want to get a sense of how the music will sound at this event, I’d say you check a recent recording of a back-to-back set by Monoloc and Dj Emerson at Lehmann in Stuttgart. You can find it here. Recently Tommy Four Seven in turn did a great podcast for Darko Esser’s label Balans, which is to be found here.

But there is more! Liebing also was so generous to give 2 x 2 free tickets for the CLR ADE party to Popperola, which I will donate to whoever who’ll do an effort and will mail…!

As you know, CLR initially stood for Chris Liebing Records – in the beginning it was as simple as that. In 2010, Liebing changed that into Create, Learn and Realize, a new and beautifully conceived acronym with the same letters. So, I want you to think about some alternatives, send them to Popperola and the best ones will win a free ticket to the CLR party in Amsterdam. Clergy, Laymen and Royalties? Cute, Loveable Robot? Cannelloni, Lasagna and Ravioli? Cockeyed, Laughable and Ridiculous? Be creative and send your best catch. Winners will be announced during this week! Good luck!

www.clr.net
www.amsterdam-dance-event.nl
www.facebook.com/events/485182088178340

Review: Metope – “You Are My Beach EP” – Beachcoma

Metope is Berliner Michael Swanen is co-founder of the fine label Areal Records (with Basteroid and Konfekt) is manager of Omega Oz booking agency is producer of superb techno tracks on the aforementioned Areal and on Sender Berlin is a guy with a freaky sense of humour is now working on a production project cum live-act called Beachcoma together with Jake Fairley (a.k.a. Fairmont) and Pan/Tone.

The three musical and beer-loving comrades actually first started out with a label with the same name on which so far they only released material from themselves. “You Are My Beach” is catalogue number seven, an EP by Metope with a title that is poetic in its simple image use. Moreover, it contains three pieces of music that at first listen seem to be constructed in a simple manner but are poetic to a high degree as well.

They are firstly less straight-forward than the two tracks on Metope’s fantastic 12inch “Betaowl/ The Quiek”, put out by Sender only recently. The title song of “You Are My Beach” has some heavy basses, a twisted click pattern and deep sounds as a frame, around which a dark drone and high but moody notes evolve harmonically.

A similar structure of bouncy clicks supports a rather heavy pounding beat in “Ride Free”  but its warm synth tones gives it a thorough deepness. Finally, “Stranded” serves us with the same thick sauce but served on a more shiny platter.

All in all this an excellent effort of a great producer. I can only hope that he keeps up this standard, since a full-length is due soon on Areal. And please, more of those titles!

Metope – “You Are My Beach EP” is out since last week

Track list:
1. You Are My Beach
2. Stranded
3. Ride Free

Review: Emmanuel Top – “Addiction/ Revival EP” – Planète Rouge

Oh! My! Goodness! I got excited to the max when hearing that none other than Emmanuel Top has started producing again. Top, hailing from northern France, used to be a household name in many legendary Belgian clubs, from the early 1990s onwards. And yes, that’s where I kind of grew up musically. Remember “Turkish Bazar“? Remember “Acid Phase“? Without any doubt truly classic material.

Now, after more than ten years of utter silence, we welcome Top back with a first 12inch of what should become a series on Terence Fixmer’s imprint Planète Rouge. The A-side is called “Addiction” and is indeed an addictive slow-builder. No fringes on its main structure, simply an effective dark, industrial hook where upon several layers are being added during its course, until after several minutes some high notes appear and the track is being lifted to a sure height.

“Revival” (such a well chosen title) is more of a peak-time track, subtly moving into an extatic mood. there’s a simple, pounding beat, an industrial sounding pattern and an hypnotic, seemingly endlessly uplifting layer underneath.

It is as though Top never stopped doing his thing: these are superb productions that may come across as rather simple but have so much to them if you listen closely. Moreover, on a dancefloor these may work as precision bombs. More please, let there be more!

Emmanuel Top – “Addiction/ Revival” will be release March 1st 2011.

Track list:
1. Addiction
2. Revival

Review: V.A. – “Werkschau” – BPitch Control

A retrospection of the output of BPitch Control is for label boss Ellen Allien looking back at her own life. In fact, Allien’s wide interest in diverse  types of electronic music and her versatility as a dj is reflected perfectly in the musical identity of her label, thereby making this into one of its unique selling points. It’s a multifariousness that no doubt stems from Ellen Allien’s home: the city of Berlin which, as everybody knows, she holds very dearly.

When we met her in November last year at the event I Love Techno in Ghent, Belgium, she admitted that she started working on this compilation already three years ago. The idea was to collect new stuff from label-affiliated artists, but most of them had eventually send in material that wasn’t the best representation of their work: left-overs and hastily created tracks. Instead of putting out these fairly insufficient pieces on the occasion of BPitch Control’s tenth anniversary, Ellen Allien asked them again for new music and stressed the importance for her and for the label. This obviously only illustrates what the label and its music mean to her.

Now, as BPitch Control is twelve, “Werkschau” got finally released, containing no less than seventeen superb tracks. Of course by now most of us are familiar with Ellen Allien’s own “The Kiss”, a floor-filler with overtly old-school techno characteristics which has been played in the past six months by several top djs and which was featured on the previously released sampler.  Also to be found on that 12inch is “Hiddensee” by Sascha Funke who delivers a rather slow, subtle and warm piece of techno.

Impressive is “Most Beautiful Kill” by AGF/Delay, the remarkable collaboration between Vladislav Delay (Sassu Ripatti) and Antye Greie, the poetess cum producer Allien worked with on her album “Sool”. The title of this track fits its atmosphere poignantly. More in an electropop vein is “How We Moove” by TimTim. A certain pop feel can also be detected in “Aiming For Destruction” by Dillon feat. Coma, with its beautiful melody line and ditto vocals though it has some accompanying bouncing beats and acid sounds. It is, for me personally, one of the nicest discoveries of “Werkschau”.

Less surprising but confirming is the solid, crisply produced techno pur sang of Mark  Broom, the hot, dubby sing-along pop of Jahcoozi and Paul Kalkbrenner‘s stirring “Plätscher” which is production-wise almost touching perfection. Other highlights are the somewhat melancholic crunk-influenced track “The Sky Is Black” by Telefon Tel Aviv (with Robin Guthrie on vocals), the very effective house by Kiki & Lenz and by Zander VT and last but not least Thomas Muller (mind you, despite his name, he’s originally from Paris)’s “West” with its glitches, pounding beats and evocative sample bits.

“Werkschau” may be a retrospective release, but by releasing new music this is evidently a state of play in Bpitch Control’s position as well. And at this point Ellen Allien’s passion is still thriving so we may look forward to lots of fresh, splendid material coming from the HQ at the Oranienburger Strasse in Berlin.

V.A. – “Werkschau” (compiled by Ellen Allien) is out now.

Track list:
1. Cormac – The Present
2. Ellen Allien – The Kiss
3. We Love – Harmony Of The Spheres
4. Dillon & Coma – Aiming For Destruction
5. AGF/Delay – Most Beautiful Kill
6. TimTim – How We Moove
7. Sascha Funke – Hiddensee
8. Kiki & Lenz – Morning Maniacs
9. Zander VT – Gotta Look Up To Get Down
10. Jahcoozi – Day In Day Out
11. Mr. Statik – Sinphony feat. The Boy
12. Aérea Negrot – Deutsche Werden
13. Thomas Muller – West
14. Chaim – The Country
15. Paul Kalkbrenner – Plätscher
16. Mark Broom – Refund
17. Telefon Tel Aviv – The Sky Is Black feat. Robin Guthrie

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