Tag: compilation

Review: John Beltran – “Ambient Selections” – Delsin Records

Hm, I think we need some creative, narrative critique here…

It’s one of those Sunday afternoons and the five of us are sitting on a sun-drenched porch in urban surroundings drinking poorly mixed cocktails and listening to music. Our attire is scarce and fit for absolute leisure. Communication is reduced to almost complete non-verbal forms. The only movement going on is the cat chasing long shadows. No more than a few hours ago, you could find us in a sweaty club, high on the circumstances and on whatever, dancing, chatting, flirting and having fun. And now it’s just one of those Sunday afternoons…

So we are all concentrated on doing nothing except for taking in the sounds that are drifting along. They are beautiful and relaxed – attuned to the setting. Several keyboard layers and supporting rhythms float in seemingly perfect harmony through the thick air. The sound system itself now radiates warmth, which is paradoxically created out of metallic and cold apparatuses and devices. Suddenly there’s the sea and a Latin guitar as well. It’s accompanied with the odors of someone lighting a J and the muttered suggestion to call for a pizza. Too good.

The soundtrack is a brand new cd; it’s a collection of tracks by John Beltran, a music veteran from the illustrious city of Detroit with a Puerto Rican heredity. Those aren’t mere geographical references because Beltran is well-known for his work that files well under Detroit techno and for his endeavors into Latin-inspired house. But his scope is far broader than that. Beltran’s first 12inch was already released in 1991 and several of his albums, on labels such as R & S, Peacefrog or Ubiquity, included dreamy ambient tracks. These are exactly the material out of which this compilation consists – hence the obvious name.

The fact that the Dutch imprint Delsin is responsible for this release shouldn’t come as a surprise: label boss Marsel van der Wielen, a noticeable figure in Amsterdam’s night life scene, has always had a keen ear for electronic dance music made in or inspired by the Motor City. Let’s not forget that on the way from Detroit to Berlin or vice versa, the main stop in between is indeed Amsterdam. But it was John Beltran himself who proposed to do this project after hearing back these fine tunes after all these years and van der Wielen agreed without any hesitation.

The result is this “Ambient Selections”, which contains sixteen tracks. A great deal of this number will sound very familiar or will be recognized immediately by people who have followed Beltran in the past. “Collage Of Dreams”, “Anticipation”, “Sub Surface” and “Vienna” have almost reached a classical status. But their juxtaposition on one single album was a simple but most keen decision; the format provides a new context in which these works function optimally. Later, Delsin will also bring out some 12inches with remixes from artists affiliated with the label.

Yes, this is a record for a Summer of Love. Love of whatever kind, between individuals who are passionate about each gesture or word of their partner, between the closest friends, between people who just met but had felt an immediate connection, between sisters and brothers or between entities in a group who are in tune with the same lingering positive vibe. Love that is warm, like the Summer air….

Gosh, someone needs to open that door ‘cause the bell is ringing. Must be the pizza man…

John Beltran – “Ambient Selections” will be out on June 13th

Track list:
1. Collage Of Dreams
2. Morning At The Window
3. Anticipation
4. Sweet Soul
5. Soft Summer
6. Water Colored Dreams
7. Sub Surface
8. Everything Under The Sun
9. Snowdrifts
10. Gutaris Breeze
11. Expecting
12. Going Home
13. Miss Weird
14. Brilliant Flood
15. Collage Revisited
16. Vienna

 

Review: V.A. – “Werkschau” – BPitch Control

A retrospection of the output of BPitch Control is for label boss Ellen Allien looking back at her own life. In fact, Allien’s wide interest in diverse  types of electronic music and her versatility as a dj is reflected perfectly in the musical identity of her label, thereby making this into one of its unique selling points. It’s a multifariousness that no doubt stems from Ellen Allien’s home: the city of Berlin which, as everybody knows, she holds very dearly.

When we met her in November last year at the event I Love Techno in Ghent, Belgium, she admitted that she started working on this compilation already three years ago. The idea was to collect new stuff from label-affiliated artists, but most of them had eventually send in material that wasn’t the best representation of their work: left-overs and hastily created tracks. Instead of putting out these fairly insufficient pieces on the occasion of BPitch Control’s tenth anniversary, Ellen Allien asked them again for new music and stressed the importance for her and for the label. This obviously only illustrates what the label and its music mean to her.

Now, as BPitch Control is twelve, “Werkschau” got finally released, containing no less than seventeen superb tracks. Of course by now most of us are familiar with Ellen Allien’s own “The Kiss”, a floor-filler with overtly old-school techno characteristics which has been played in the past six months by several top djs and which was featured on the previously released sampler.  Also to be found on that 12inch is “Hiddensee” by Sascha Funke who delivers a rather slow, subtle and warm piece of techno.

Impressive is “Most Beautiful Kill” by AGF/Delay, the remarkable collaboration between Vladislav Delay (Sassu Ripatti) and Antye Greie, the poetess cum producer Allien worked with on her album “Sool”. The title of this track fits its atmosphere poignantly. More in an electropop vein is “How We Moove” by TimTim. A certain pop feel can also be detected in “Aiming For Destruction” by Dillon feat. Coma, with its beautiful melody line and ditto vocals though it has some accompanying bouncing beats and acid sounds. It is, for me personally, one of the nicest discoveries of “Werkschau”.

Less surprising but confirming is the solid, crisply produced techno pur sang of Mark  Broom, the hot, dubby sing-along pop of Jahcoozi and Paul Kalkbrenner‘s stirring “Plätscher” which is production-wise almost touching perfection. Other highlights are the somewhat melancholic crunk-influenced track “The Sky Is Black” by Telefon Tel Aviv (with Robin Guthrie on vocals), the very effective house by Kiki & Lenz and by Zander VT and last but not least Thomas Muller (mind you, despite his name, he’s originally from Paris)’s “West” with its glitches, pounding beats and evocative sample bits.

“Werkschau” may be a retrospective release, but by releasing new music this is evidently a state of play in Bpitch Control’s position as well. And at this point Ellen Allien’s passion is still thriving so we may look forward to lots of fresh, splendid material coming from the HQ at the Oranienburger Strasse in Berlin.

V.A. – “Werkschau” (compiled by Ellen Allien) is out now.

Track list:
1. Cormac – The Present
2. Ellen Allien – The Kiss
3. We Love – Harmony Of The Spheres
4. Dillon & Coma – Aiming For Destruction
5. AGF/Delay – Most Beautiful Kill
6. TimTim – How We Moove
7. Sascha Funke – Hiddensee
8. Kiki & Lenz – Morning Maniacs
9. Zander VT – Gotta Look Up To Get Down
10. Jahcoozi – Day In Day Out
11. Mr. Statik – Sinphony feat. The Boy
12. Aérea Negrot – Deutsche Werden
13. Thomas Muller – West
14. Chaim – The Country
15. Paul Kalkbrenner – Plätscher
16. Mark Broom – Refund
17. Telefon Tel Aviv – The Sky Is Black feat. Robin Guthrie

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